Review: Jason Derülo – Don’t Wanna Go Home

I’ve talked so much about female artists, I’ve decided that my next few reviews will solely be male artists. Truthfully, this is because talking about women representing their own sexuality is a lot easier, because it’s a push/pull situation. On one hand, there has to be some level of sexual progressiveness; on the other, how do you do that tastefully and appropriately for the wide-ranging audiences pop songs reach?

Men in pop has become very interesting in recent years. It used to be that you could point to NSYNC or The Backstreet Boys or Justin Timberlake and say, “That’s a dude doing pop. That’s what’s happening.” It’s not quite so clear anymore. This is – at least in part – due to the fact that pop is barely pop anymore. It’s essentially a bastardised amalgam of RnB, dance, house, and a splash of pop itself. Obviously this has always been the case, but suddenly the recipe has changed. Rather than three cups of sugar, we’re putting in half a cup, and so forth (good news for diabetes sufferers!). This is just the nature of musical progression – essentially, we’ll like what they tell us to like.

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Feature: Pop song shelf-life

A few weeks ago, I posted a ‘Great Pop Song of the Week’ or something similarly stupidly titled, which I never did again because there is such a dearth of good pop songs at the moment. The post in question contained the song Rolling in the Deep by Adele. And you know what? Already sick of it. At the time, it hadn’t really made it big yet. It was top of the charts in the UK, but Glee hadn’t stuck it in the song-processor and sat out a more autotuned version yet; the album hadn’t bitch-slapped its way to the top of the Billboard charts; and it hadn’t been played every 5 minutes on every radio station and TV music channel.

But now it has, and I am fucking sick of it.

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